"L
A
musique,"
says
Marmontel, with the same odd confusion of thought and language which
leads him to give his very equivocal narratives the title of "
Contes
Moraux" — "la musique est le seul des talens qui
jouissent
de lui même; tous les autres veulent des temoins." He here
confounds
the
pleasure derivable from sweet sounds with the capacity for creating
them.
No more than any other
talent, is that for music susceptible of
complete
enjoyment, where there is no second party to appreciate its exercise.
And
it is only in common with other talents that it produces
effects
which
may be fully enjoyed in solitude. The idea which the
raconteur
has
either
failed to entertain clearly, or has sacrificed in its expression to his
national love of
point, is, doubtless, the very tenable one
that the
higher
order of music is the most thoroughly estimated when we are the most
exclusively
alone. The proposition, in this form, will be admitted at once by those
who love the lyre for its own sake, and for its spiritual uses. But
there
is one pleasure still within the reach of fallen mortality — and
perhaps
only one — which owes even
[column 2:] more than does music to
the accessory
sentiment
of seclusion. I mean the happiness experienced in the contemplation of
natural scenery. In truth, the man who would behold aright the glory of
God upon earth must in solitude behold that glory.
To me, at least, the
presence — not of human life only — but of life in any other form than
that of the green things which grow upon the soil and are voiceless —
is a stain upon the landscape — is at war with the genius of the
scene.
I love, indeed, to regard the dark valleys, and the grey rocks, and the
waters that silently smile, and the forests that sigh in uneasy
slumbers,
and the proud watchful mountains that look down upon all — I love to
regard these as themselves but the colossal members of one vast animate
and sentient whole — a whole whose form (that of the sphere) is the
most
perfect and the most inclusive of all; whose path is among associate
planets;
whose meek handmaiden is the moon; whose mediate sovereign is the sun;
whose life is eternity; whose intelligence is that of a God; whose
enjoyment
is knowledge; whose destinies are lost in immensity; whose cognizance
of
ourselves
[page 254:] is akin with our own cognizance of the
animalculæe in crystal, or of those which
infest
the brain — a being which we, in consequence, regard as purely
inanimate
and material, much in the same manner as these animalculæe
must thus
regard
us.
Our telescopes, and our mathematical
investigations assure us on
every
hand — notwithstanding the cant of the more ignorant of the priesthood
— that space, and therefore that bulk, is an important consideration
in
the eyes of the Almighty. The cycles in which the stars move are those
best adapted for the evolution, without collision, of the greatest
possible
number of bodies. The forms of these bodies are accurately such as,
within
a given surface, to include the greatest possible amount of matter; —
while the surfaces themselves are so disposed as to accommodate a
denser
population than could be accommodated on the same surfaces otherwise
arranged.
Nor is it any argument against bulk being an object with God, that
space
itself is infinite; for there may be an infinity of matter to fill it.
And since we see clearly that the endowment of matter with vitality is
a principle — indeed as far as our judgments extend, the
leading
principle —
in the operations of Deity — it is scarcely logical to imagine that it
is
confined
to the regions of the minute, where we daily trace it, and that it does
not extend
to those of the august. As we find cycle within cycle without end —
yet
all revolving around one far-distant centre which is the Godhead, may
we not analogically suppose, in the same manner,
life within life, the
less
within the greater, and all within the Spirit Divine? In short, we are
madly erring, through self-esteem, in believing man, in either his
temporal
or future destinies, to be of more moment in the universe than that
vast
"clod of the valley" which he tills and contemns, and to which he
denies
a soul for no more profound reason than that he does not behold its
operation.
These fancies, and such as these, have
always given to my
meditations
among the mountains, and the forests, by the rivers and the ocean, a
tinge
of what the every-day world would not fail to term fantastic. My
wanderings
amid such scenes have been many, and far-searching, and often solitary;
and the interest with which I have strayed through many a dim deep
valley,
or gazed into the reflected Heaven of many a bright lake, has been an
interest
greatly deepened by the thought that I have strayed and gazed
alone.
What
flippant Frenchman
was it who said, in allusion to the well-known work
of
Zimmerman, that "
la solitude est une belle chose; mais il faut
quelqu 'un
pour vous dire que la solitude est une belle chose?" The epigram
cannot
be gainsayed; but the necessity is a thing that does not exist.
It was during one of my lonely
journeyings, amid a far-distant
region
of mountain locked within mountain, and sad rivers and melancholy tarns
writhing or sleeping within all — that I chanced upon the
rivulet
and island which are the subject of our
engraving.
I came upon them
suddenly in the leafy June, and threw
myself
upon the turf, beneath the branches of an unknown odorous shrub, that I
might doze as I contemplated the scene. I
[column 2:] felt that
thus only should I
look upon it, such was the character of phantasm which it wore.
On all sides — save to the west, where
the sun was about sinking —
arose the verdant walls of the forest. The little river, which turned
sharply
in its course, and was thus immediately lost to sight, seemed to have
no
exit from its prison, but to be absorbed by the deep green foliage of
the
trees to the east — while in the opposite quarter (so it appeared to
me
as I lay at length and glanced upward) there poured
down noiselessly
and
continuously into the valley, a rich, golden and crimson waterfall from
the sun-set fountains of the sky.
About midway in the short vista which my
dreamy vision took in, one
small circular island, fantastically verdured, reposed upon the bosom
of
the
stream.
So blended bank and shadow there,
That each seemed pendulous in air —
|
so
mirror-like was the glassy
water,
that it was scarcely possible to say at what point upon the slope of
the
emerald turf its crystal dominion began.
My position enabled me to include in a
single view both the eastern
and western extremities of the islet; and I observed a
singularly-marked
difference in their aspects. The latter was all one radiant harem of
garden
beauties. It glowed and blushed beneath the eye of the slant sun-light,
and fairly laughed with flowers. The grass was short, springy,
sweet-scented,
and Asphodel-interspersed. The trees were lithe, mirthful, erect —
bright,
slender and graceful — of eastern figure and foliage, with bark
smooth,
glossy, and particolored. There seemed a deep sense of life and of joy
about
all; and although no airs blew from out the Heavens, yet every thing
had
motion through the gentle sweepings to and fro of innumerable
butterflies,
that might have been mistaken for tulips with wings.
*
The other, or eastern end of the isle was
whelmed in the blackest
shade.
A sombre, yet beautiful and peaceful gloom here pervaded all things.
The
trees were dark in color and mournful in form and attitude — wreathing
themselves into sad, solemn, and spectral shapes, that conveyed ideas
of
mortal sorrow and untimely death. The grass wore the deep tint of the
cypress,
and the heads of its blades hung droopingly, and, hither and thither
among
it, were many small unsightly hillocks, low, and narrow, and not very
long,
that had the aspect of graves, but were not, although over and all
about
them the rue and the rosemary clambered. The shade
of the trees fell
heavily
upon the water, and seemed to bury itself therein, impregnating the
depths
of the element with darkness. I fancied that each shadow, as the sun
descended
lower and lower, separated itself sullenly from the trunk that gave it
birth, and thus became absorbed by the stream; while other shadows
issued
momently from the trees, taking the place of their predecessors
entombed.
[page 255:]
This idea, having once seized upon my
fancy, greatly excited it, and
I lost myself forthwith in reverie. "If ever island were enchanted,"
— said
I to myself, — "this is it. This is the haunt of the few gentle Fays
who
remain from the wreck of the race. Are these green tombs theirs? — or
do they yield up at all their sweet lives as mankind yield up their
own? In
dying,
do they not rather waste away mournfully; rendering unto God their
existence little by
little, as these trees render up shadow after shadow,
exhausting their substances unto dissolution? What the wasting tree is
to
the water that imbibes its shade, growing thus blacker by what it preys
upon, may not the life of the Fay be to the Death which engulfs it? —
but what fairy-like form is this which glides so solemnly along the
water?"
As I thus mused, with half-shut eyes,
while the sun rapidly sank to
rest, and eddying currents careered round and round the island, bearing
upon their bosom large, dazzling white flakes of the bark of the
sycamore — flakes
which, in their multiform positions upon the water, a quick imagination
might have converted into anything it pleased — while I thus mused, it
appeared to me that the form of one of those very Fays about whom I had
been pondering, made its way slowly into the darkness from out the
light
at the western end of the island. She stood erect in a singularly
fragile
canoe, and urged it with the mere phantom of an oar. While within the
influence
of the lingering sunbeams, her attitude seemed indicative of joy — but
sorrow deformed it
[column 2:] as she passed within the shade.
Slowly she glided
along,
and at length rounded the islet and re-entered the region of light.
"The
revolution which has just been made by the Fay," — continued I musingly
—
"is the cycle of the brief year of her life. She has floated through
her
winter and through her summer. She is a year nearer to Death; for I
did
not fail to see that as she came into the shade, her shadow fell from
her, and was swallowed up in the dark water, making
its blackness more
black."
And again the boat appeared, and the Fay; —
but about the attitude of
the
latter there was more of care and uncertainty, and less of elastic joy.
She floated again from out the light, and into the gloom (which
deepened
momently) and again her shadow fell from her into the ebony water, and
became absorbed into its blackness. And again and again she made the
circuit
of the island, (while the sun rushed down to his slumbers;) and at each
issuing forth into the light, there was more sorrow about her person,
while
it
grew feebler, and far fainter, and more indistinct; and at each passage
into
the gloom, there fell from her a darker shade, which became whelmed in
a
shadow more black. But at length, when the sun had utterly departed,
the
Fay, now the mere ghost of her former self, went disconsolately with
her
boat into the region of the ebony flood
— and that she issued
thence at
all I cannot say,
—
for darkness fell over all things, and I beheld her
magical
figure no more.
Philadelphia, May, 1841.