The Works of Edgar Allan Poe

 




 
Poe’s Works of Poetry & Fiction:
 
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Poe’s Poems (“Alone,” “The Raven,” etc.)

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Poe’s Tales (“The Fall of The House of Usher,” etc.)
 
 
Poe’s Works of Non-Fiction:
 
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Poe’s Literary Criticism (Reviews and Notices)

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Poe’s Essays, Sketches & Lectures (Eureka, “The Philosophy of Composition,” etc.)

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Poe’s Miscellanea (“Marginalia,” “The Literati,” etc.)

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Poe’s Letters (including letters from and to Poe, with a checklist)


Miscellaneous Items:
 
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Miscellaneous Documents and Manuscript Material

 

About Poe’s Works:
 
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The Canon of Poe’s Works (Poems, Tales, etc.)  (under construction)

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Poe’s Works in Annuals, Magazines and Periodicals (first printings and recorded reprintings)

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Some Editions of Poe’s Works

 

Other Links:
 
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Main Page for the Poe Society

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Other Sites with Poe’s Works in E-Text


Grayscale picture of Poe, with signature - 46.5K interlaced GIF








“Ye who read are still among the living, but I who write shall have long since gone my way into the region of shadows. For indeed strange things shall happen, and many secret things be known, and many centuries shall pass away, ere these memorials be seen of men. And, when seen, there will be some to disbelieve, and some to doubt, and yet a few who will find much to ponder upon in the characters here graven with a stylus of iron.”from Edgar Allan Poe’s “Shadow — a Parable” (1835).












Notes:

Author.............: Edgar Allan Poe (1809-1849) (Except where otherwise noted.)
Site Author......: The Edgar Allan Poe Society of Baltimore, Inc.
Created...........: April 4, 1998
Last update.....: March 12, 2008











There are many sites on the Internet featuring some of Poe’s works, usually the better known poems (such as “The Raven”) and tales (such as “The Fall of the House of Usher”), and several sites which purport to offer Poe’s “Complete” works — none of these sites, however, can accurately make this boast. At best, they might offer all of Poe’s important poems and/or tales, often without clearly identifying the actual source of their texts. (Most of these sites have taken their material from the “Raven” edition published by Collier & Sons in five volumes in 1903, though this source is rarely acknowledged. Although a good popular edition, those texts do contain errors, and embody editing which does not necessarily reflect Poe’s original texts. Several errors created by the early Griswold edition of Poe’s works find their way uncorrected into the 1903 “Raven” edition, such as the minor but  unwanted “s” on “mortals” in the fifth stanza of “The Raven.” More importantly, many of these texts are offered without the kind of careful proofreading necessary to correct problems with scanning and typing. Many sites use texts containing not only the same version but also the identical typographical errors, indicating that the easy road of copying has widely been taken rather than the difficult path of scanning and proofreading.) Wherever possible, only the original sources have been used for texts on this web site, retaining Poe’s punctuation and spellings, and at least attempting to honor the original formatting as much a practical given the limitations of HTML.

This site is intended not only to cover the well-trodden ground, but to fill in the considerable gaps between what Poe wrote and what is easily available to most readers. Even for the tales and poems, Poe wrote a great deal more than the handful of items read so regularly. Here, one may read Poe’s final tale, the unfinished “The Lighthouse.” One may also find the poem “Deep in Earth” and the fragmentary “The Beloved Physician.” In addition, here are selections from Poe’s essays, literary criticism and such miscellaneous writings as the “Doings of Gotham” letters, the “Marginalia” and Poe’s introductory material for his “Conchologist’s First Book.” It is hoped that by providing free access to a broader selection of Poe’s works, it will quickly become evident that he has been misjudged, based on too narrow a reading of items that reveal but one expression of his genius.

Another goal of this site is to provide bibliographical information on the various printings, revisions, and reprintings of Poe’s writings, chiefly during his lifetime. For many items, we will also offer the actual texts for first and other important or significantly revised versions. In this regard, we see Poe as a conscious artist, creating with effort and careful attention to details. Although the casual reader may be quite content with reading a single version of a tale or poem, such an approach inherently brings with it several problems. One issue which is all too often glossed over is the fact that Poe wrote and rewrote many of his works, sometimes several times, often making significant changes. Whether it is the first or the last authorized version of a work which best reveals an author’s intention is a question much debated in bibliographical circles. Another problem with presenting a single text is that it is necessarily removed from the original contexts to a degree which places each item in a kind of absolute isolation, or an unintended juxtiposition. How is one to respond to “A Predicament” without its proceeding “How to Write a Blackwood Article”?  How is one to recognize the satire or parody in “The Visionary” or “Metzengerstein” without understanding its original place in Poe’s unpublished Tales of the Folio Club? And Poe’s “Sonnet — to Science” may take on a slightly different meaning as the introductory poem to “Al Aarraf” in both the 1829 and 1831 editions of Poe’s poems.

It is presumed that Poe’s works, widely published for over 150 years, are part of the public domain and that no copyright laws have been violated in posting this material.











A few words on method: Generally, printed text is scanned on an HP Scanjet. Optical Character Recognition (OCR) is performed with Nuance’s OmniPage11.0 and saved as a document. This document is imported into Corel WordPerfect 10.0, where the text is examined for obvious errors, many of which are conveniently highlighted by WordPerfect’s spell checker. Manuscript material, which cannot be interpreted by OCR, and text from sources which, for one reason or another, cannot be scanned is entered by hand. Variants are usually created from a basic version of the text, modified as required by direct comparison to the target version. Since OCR and spell checkers are notoriously unreliable and inherently limited by their mechanical nature, text must ultimately be verified manually. (OCR, for example, routinely misreads “hath” as “bath” and “thine” as “shine,” especially when the source font is smaller than 12-point. Spell checkers are inadequate for Poe’s historical spellings and frequent coining of words. Greek and Hebrew text, which does not use standard character sets, may be provided as an image, scanned and manipulated under Adobe’s PhotoShop 6.0. Foreign languages often use characters which are not part of the standard language character sets supported on most computer operating systems. We are still evaluating the best way to address this problem.) Illustrations originally published with the text are also scanned and processed under Adobe Photoshop 6.0. At the end of each text, a proofreading mark is maintained to keep track of its status. (The mark is always the last text on the page, in a very small font. As an example: “[S:0 - Works, 1850]” indicates that the text has not been proofread, and that the source for the text was the original 1850 edition of Poe’s works. Although all texts are at least minimally reviewed during the process of formatting, this is not considered to be sufficient care to qualify as proofing. “[S:1]” indicates that it has been proofread once, and “[S:2 - MS, 1842]” indicates that it has been proofread twice, using the original 1842 manuscript as the original text. If no mark is present, the page should be presumed as not having been proofread.)










Anyone is free to use information from this site for any legitimate purpose without charge as long as sources are properly noted. (Links to this site are welcome, and education or artistic uses are encouraged. Wholesale lifting of our text or images, however, is not permitted — nor is the  unacknowledged use of this material for student papers or commercial endeavors.) Schools may print and distribute any number of copies of these materials for use in class without special permission.










Although substantially complete, various parts of this site are still under construction, and new material is constantly being added. Providing comprehensive and reliable information takes time, so please bear with us. (Proofreading pages, particularly historical items, requires considerable effort, and is likely to be a perpetual task.) We are currently in the process of giving the site a bit of a facelift, as noted at the end of our main menu.






 
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